THE BROMELIAD
                        for Hart Crane

            But this, —defenseless, thornless, sheds no blood,
            Almost no shadow—but the air’s thin talk.

In the air! maybe there
              these spindly creatures
                                are ethereal. Maybe at

the Heart of Hurricane
But know them as I know them!
When Caribbean breezes
              are spiders’ transport
                                 leaf to leaf. Know them
the leathery grapplers
air plant
woody rooted, sawtooth wind-slicer
holds fast to slippery bark of Anything!

Fierce, succulent, windworn
Know them! Passionate exhibitionists
              burning, aching high
                    violet sweetheart of hummingbirds
broad berried wands of ripening Tropica, all
                 hallelujah, still

no pretense to divine. They are great
colonizers
white tufted seeds parachute course
between trees
through curtains of lianas
cling to craggy bark
build gardens, festooning cities

Bromeliad, out on a limb, civilization
of raw vegetable kingdom generating until all
kingdom, life and limb, crashes to the ground

Frog pond! Serpent house! Stagnant channeled
reservoir! Malaria nursery!
                                                Sky Chalice!

Or wedged on rocky sun blast ledge! Or anchored
as forbidding hedge
                                for robbers. Barbed.

___________________________________________


ELEGY FOR THE DUSKY SEASIDE SPARROW

 

T
ake note:

 Rock Hudson died of AIDS.

 Rita Hayworth's picture was pasted
                                         on the first Atom Bomb.

Yul Brynner died the day my father died,
                   Orson Welles a week after.

So what about the Dusky Seaside Sparrow?
Extinct in the middle of June,
                       nineteen hundred and eighty-seven.

It's a Disney World
                 of space shuttles and evolution.

But this heart of mine
wants to stop.
Consider

the demise of the river,
the fanged beast at the door of the sea.

It's a sentimental heart in a roomful of mirrors.
It's always an elegy.
Thinking of you, Dear,
                                    it's an elegy.

___________________________________________


SHELL BEACH

 

Stiff gray horizon

                 turned upside down

                                                on my back

         Oily transparencies

 from a distant Gulf  appear

                                               in Pacific spray

 Silent violations

                            Pelican, gull, piper burn

 Cruelty, lacerations

                                         One big ocean


                                                                 Collage

Toxic sea


      turtle postcards

                             sent to another lost generation

               Green rock

              Green day

              Blue rock

              Blue way

                             Blood sparks in lunar swells

Screams of murder from the beach

                The roar devolves

                                 Viscous birth

                                 Original beauty


         Agile, homeless bone of mammoth legends

                                                                        Eruptions
                    (Coffee on the stove)

 No, I won’t let go

                        Ignorance of the law is no excuse

             but distraction tumbles into deception

                                                     Hermit crab, starfish eyes

Blue-black twilight travelers
  
                               Spoiled men of war

                                                 and sonic whales

 Endless time and tide reveal

             the unforgettable torture of sleep


______________________________________________


Three Poems: Copyright 2016 (C) by Michael Rothenberg. All rights reserved.

THREE POEMS by MICHAEL ROTHENBERG: Michael is  a poet, editor and publisher of the online literary magazine BigBridge.org, co-founder of 100 Thousand Poets for Change (www.100tpc.org), and co-founder of Poets In Need, a non-profit 501(c), assisting poets in crisis. Born in Miami Beach, Florida in 1951, Rothenberg moved to the San Francisco Bay Area in 1975 and co-founded Shelldance Orchid Gardens in Pacifica, which is dedicated to the cultivation of orchids and bromeliads. While in Pacifica, he helped lead local environmental actions that stopped major coastal developments that would destroy wildlife habitat. He was co-founder of Pacificans for Mori Point, a grass-roots group that led the battle to stop development of endangered species habitat on Mori Point and Sweeney Ridge, which resulted in the eventual inclusion of these areas in the Golden Gate National Recreation Area. He was also on the G.G.N.R.A. Steering Committee, the Board of Directors of the Pacific Land Trust and was founder of the Bromeliad Society International Conservation Committee. Michael has published 20 books of poetry including Nightmare of The Violins, Favorite Songs, Man/Woman (a collaboration with Joanne Kyger), Unhurried Vision, Monk Daddy, The Paris Journals, Choose, My Youth As A Train, Murder (Paper Press 2014), Sapodilla (Editions du Cygne-Swan World, Paris, France, 2016) and Drawing The Shade (Dos Madres Press, 2016).  Indefinite Detention: A Dog Story, was published in 2013 by Ekstasis Editions (Victoria, B.C., Canada), and in 2014 by Shabda Press (USA). A Spanish/English edition of Indefinite Detention: A Dog Story, and the poetic journal collection, Tally Ho and the Cowboy Dream/The Real and False Journals: Book 5 are scheduled for publication in 2017 by Varasek Ediciones (Madrid, Spain). His work has been published widely in literary reviews and included in anthologies such as 43 Poetas por Ayotzinapa, edited by Jesús González Alcántara and Moisés H. Cortés Cruz (Mexico), Saints of Hysteria, A Half-Century of Collaborative American Poetry, edited by David Trinidad and Denise Duhamel (Soft Skull Press), Hidden Agendas/Unreported Poetics, edited by Louis Armand (Litteraria Pragensia), and For the Time-Being: The Bootstrap Book of Poetic Journals, edited by Tyler Doherty and Tom Morgan (Bootstrap Productions). His editorial work includes several volumes in the Penguin Poets series: Overtime by Philip Whalen, As Ever by Joanne Kyger, David’s Copy by David Meltzer, and Way More West by Ed Dorn. He is also editor of The Collected Poems of Philip Whalen published by Wesleyan University Press. Rothenberg currently lives on Lake Jackson in Tallahassee, Florida.